Studio One 4 Sidechain



Kickstart

  • StudioLive 32.4.2/24.4.2 AI - What is Side Chaining and How is it Used? Studio One - Sidechain Compression Tutorial - Motoko; Hard/Soft Knee Compression; How to Save/Load/Copy a Fat Channel Preset on a StudioLive Mixer; Episode 65: Compressor (De-Esser).
  • This can be a great trick and has been used to great effect on many dance hits. But it is only one of a myriad of techniques that can be employed using the sidechain to create unique and interesting compression effects. Many compressors, even those without an external sidechain, feature a sidechain.
  • Here's another simple tutorial on adding sidechain compression in Studio One.
  • 4 Reviews written. You can also use the Aux sends for side chaining, scroll down, the side chains menu will display all the plug ins you can use to side chain what you want. You do the same thing in the output section of the track, useful when you don't want that particular track to put out any sound.

How to use Sidechain Compression in Studio One Sidechaining refers to the practice of using the signal level of an input to control the compression level of another signal. When the external signal is stronger than a specified amplitude (threshold), the compressor acts more strongly to reduce output gain on the sidechained track.

Studio One 4 SidechainStudio one 4 sidechain

Kickstart Sidechain Plugin

Carlo Libertini is a Melodyne audio editing specialist with Music Marketing Inc. of North America. He’s also an audio production engineer with twenty years’ experience, and performs trainings, demonstrations, and services for top studios and institutions across the country. In between production responsibilities he conducts online training seminars, collaborative production meetings, software demonstrations, and video tutorials.

Of course, Carlo is our resident Studio One expert, too! In this quick tip, he teaches us how to use reverb!

Reverb occurs naturally in the world. It’s what we hear as echoes in a cathedral or cave. It’s been utilized in music production for decades, and in its earliest form, studios actually built dedicated echo chambers to create recordable reverb.

Today, reverb plugins make it easier than ever to take advantage of the width and dimension it can give an instrument. Studio One makes it especially easy to bus and send any instrument you want to a reverb return.

Bus/Send Reverb

Studio One 4 Sidechain

The first step is to right-click the Send button on the selected track and choose Add Bus for Selected Channels. Next, it’s a good idea to label the new bus something recognizable; in this case, “AcousBUS,” for acoustic guitar. What a send does is route the selected signal not only to the main outputs, but through this new bus channel as well.

Now you can add Studio One’s stock Mixverb on the bus channel. When you play back the signal, your mono instrument will play through a stereo bus with reverb on it!

There will probably be way too much reverb for the material, at which point you can adjust the send level to control the amount of signal going to the reverb. This will help you blend it tastefully into the mix.

Reverb Directly on a Track

Waves Vocal Rider Sidechain

Studio One 4 Sidechain

You can also put reverb directly onto an instrument, but not without some limitations.

Sidechain

In this example, Carlo shows us how to create stereo width on a mono acoustic guitar by sending it to a stereo reverb bus. If you put a reverb plugin straight onto a mono instrument, the reverb itself will be mono as well. This can be cool for specific sound design applications, but won’t give you the same dimension and width as bussing it. Jasper report pdf encoding.

As always, it’s best to experiment with both methods and find which one works best for the mix!

Sidechaining refers to the practice of using the signal level of an input to control the compression level of another signal. When the external signal is stronger than a specified amplitude (threshold), the compressor acts more strongly to reduce output gain on the sidechained track. It is useful in a variety of situations including:

  • Creating a pumping effect in electronic music
  • Automatically lowering a signal in audio post production
  • Automatically lowering music while speaking into a mic

I will demonstrate here a basic application of sidechaining between a synth bass and a kick drum to achieve the characteristic pump in an EDM track.

Set up two tracks- bass and kick. Best fire sprinkler design software installation.

Sidechain In Studio One 4

Add a compressor to the bass track. We are going to use the kick to control the compression level of the bass.

Activate the compressors Sidechain

On the kick track inspector/console- click “+” to add a send. Choose the bass compressor from the list of available sidechains.

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Note that although the compressor is on the bass track, it is responding to the kick drum signal.

Compare the difference in sound between the two.

No sidechain:

Studio One Sidechain Compression

Sidechain: